The other night, Grace, a friend and former neighbour, invited me over for an evening of writing talk with some friends of hers. They were an inspiring, inspired bunch: women navigating the intertwined drudgeries and joys of life and art. Some have known each other for years; others had never met until that night. I talked, maybe too much (there was Prosecco involved). They listened, and asked questions of me and of each other. They were funny, warm, curious, passionate.

I don’t think I’ve ever carried all my books anywhere, before, but I took them to Grace’s. They were passed from hand to hand around the table and I felt like I was looking at them from a vertiginous sort of remove, even though I was even then describing their provenance in detail. Five books. Mine— products of Montreal, Mexico, Toronto; early love and lost love; spiral-bound notebooks and laptop screens. It’s only been 13 years since that first one, but it felt like a hugely long time as I sat there, watching it go around the table.

There was another odd moment, right at the outset, when one of the guests asked how I knew Grace. I said, “I used to live there,” and pointed out her living room window at the window of what used to be my living room, right across the street. I lived there for eleven years. I’ve been back, of course, to pick up the girls when they were too little to get to my place themselves; a couple of times, soon after the divorce, for Christmas brunch. I’ve been back to the street to visit Grace and my other wondrous former neighbours. These returns have always been difficult, but also predictable, manageable. For some reason, though, as I pointed at that house the other night, its presence was strange and sad in a way that felt old, new, tangled.

Later, when I was describing my first novel’s path to publication, I talked about getting the call from my agent. “Penguin wants it…advance of…” I’d started to cry, I told the women around the table. I sat at my desk in the dean’s office at the Faculty of Architecture, Landscape, and Design and my computer screen blurred and ran. I told them that I nearly hyperventilated on the streetcar ride home (which seemed to proceed in slow motion). And I told them that when I finally opened the front door of the house across the street from this one, my one-year-old daughter was standing at the top of the stairs in that denim dress of hers, with the embroidered mandala-shape on the bodice. That she cried, “I love you, Mommy!”, as her dad had urged her to. That her dad was standing behind her, smiling at me as he brandished a bottle of champagne above our daughter’s fuzzy blonde head.

I stopped talking and waved my hand around in front of my face, breathing the tears away. The women I’d just met sat there with me—funny and warm, curious and passionate, holding my books in their hands.